Literary Swing

SwingOrama Forum: Lindy Hop: Literary Swing
Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael on Saturday, January 29, 2000 - 12:09 pm: Edit

When I spotted this on Yehoodi, I couldn't resist sharing with everyone here [and for you literary type out there, try to guess who wrote it before you get to the end.]:

From a dance hall there met me as I passed by the strains of lively jazz music, hot and raw
as the steam of raw flesh. I stopped a moment. This kind of music, much as I detested it,
had always had a secret charm for me. It was repugnant to me, and yet ten times preferable
to all the academic music of the day. For me too, its raw and savage gaiety reached an
underworld of instinct and breathed a simple honest sensuality.

I stood for a moment on the scent, smelling this shrill and blood-raw music, sniffing the
atmosphere of the hall angrily, and hankering after it a little too. One half of this music, the
melody, was all pomade and sugar and sementimenality. The other half was savage,
tempermental and vigorous. Yet the two went together artlessly well together and made a
whole. It was the music of decline. There must have been such music in Rome under the
late emperors. Compared with Bach and Mozart and real music it was, naturally, a
miserable affair; but so was all our art, all our thought, all our makeshift culture in
comparison with real culture. This music was at least sincere, unashamedly primitive and
childishly happy. There was something of the Negro in it, and something of the American,
who with all his strength seems so boyishly fresh and childlike to us Europeans. Was
Europe to become the same? Was it on the way already? Were we, the old connoisseurs,
the reverers of Europe as it used to be, of genuine music and poetry as once they were,
nothing but a pig-headed minority suffering from a complex neurosis, whom tomorrow
would forget or deride? Was all that we called culture, spirit, soul, all that we called beautiful
and sacred, nothing but a ghost long dead, which only a few fools like us took for true and
living? Had it perhaps indeed never been true and living? Has all that we poor fools
bothered our heads about never been anything but a phantom?


-Hermann Hesse, Steppenwolf

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael on Wednesday, February 09, 2000 - 11:29 pm: Edit

Letters Section of Wall Street Journal, Feb 9, 2000

A Hepcat Remembers Night Carnegie Rocked

How I loved John McDonough's Jan 12 Leisure & Arts piece "On Disk: 'The Holy Grail' of Jazz Concerts." I was there, Jan 16, 1938, groovin' with the hepcats, drinking in the music like a heady wine.

I was a Sarah Lawrence girl, bobby sox, saddle-shoes, and all of Carnegie Hall throbbed with the beat. The excitement was almost palpable. Little did we know history was being made. We only knew that we were a huge, pulsating body, played on like one of the instruments. When Benny blew riffs on his licorice-stick, Gene pounded the skins, Harry took off on his agony-pipe, and the Count tickled the ivories with "One O'clock Jump," and the old Hall rocked.

The only popular music that had been permitted in the sacred confines had been Paul Whiteman's band. But the King of Swing's explosion since the Paolomar ballroom appearance, in Los Angeles in 1936 (I was there), had persuaded Carnegie Hall's management that it might be okay with the ghosts of Mozart and Beethoven to give the strange new sound an airing. Olin Downes, venerable long-hair critic of the New York Times, found it hard to explain. He tried to analyze the riffs and the contrapuntal back and forth of saxes, but he couldn't explain the magic.

Virginia K. Moseley
Naples, FL

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael on Wednesday, February 09, 2000 - 11:30 pm: Edit

whoops, that should be Palomar Ballroom

editin' HopMichael

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Shawn Hanna on Wednesday, April 19, 2000 - 05:01 pm: Edit

Rex Reed, be good
NEW YORK-- If Rex Reed can stay out of trouble for the next six months, he's off the hook. That ruling came from a Manhattan judge on Tuesday.

The 61-year-old film critic was arrested in February after he allegedly tried to steal three compact discs from a record store. A store security officer told police he witnessed Reed shoplift CDs by Mel Torme, Peggy Lee and Carmen McRae.

Reed, a columnist for the New York Observer, denied the allegations but said he'd abide by the ruling from Judge Suzanne Mondo, who agreed to dismiss the charges and seal the record if Reed is not arrested again within the next six months.

"I'm very happy," Reed said after the ruling. "From now on I'm going to write nothing but good reviews."

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Tuesday, September 12, 2000 - 12:16 pm: Edit

From Yehoodi:

Here's a collection of some of my favorites that I've collected from various
webpages, emails, etc. Enjoy!
-Shorty Dave

If I could tell you what it meant, there would be no point in dancing it.
-Isadora Duncan

If their feet aren't in the right place, at least their hearts are.
-Christian M. Chensvold, on novice swingers

We should consider every day lost in which we do not Dance at least once
-Nietzsche

Discourse on virtue and they pass by in droves,
whistle and dance the shimmy and you've got an audience.
-Diogenes

To watch us dance is to hear our hearts speak
-Derrick "Suwaima" Davis, Hopi/Chocktaw Indian

Dancing is an AMAZING activity. You can go up to a gorgeous woman that
you've never met before, spend three minutes touching her virtually
anywhere on her body, and she THANKS you for it afterwards!
-Mario Robau, Jr.

Dancing is a vertical expression of a horizontal desire
-unknown

Dancing is the loftiest, the most moving, the most beautiful of the arts,
because it is no mere translation or abstraction from life; it is life itself.
-Henry Havelock Ellis, 1923: The Dance of Life

No move is too tricky, no spin too excessive. For my partner.
-John Hayes

Lesser dancers stumble, better dancers syncopate
-unknown

"I would believe only in a God that knows how to Dance.
-Nietzche

When someone blunders, we say that he makes a misstep. Is it then not
clear that All the ills of mankind, all the tragic misfortunes that fill our
history books, all the political blunders, all the failures of the great
leaders have arisen merely from a lack of skill in dancing.
-Moliere, 1622

Can't act, can't sing, slightly bald. Can dance a little.
-Hollywood executive on Fred Astaire's first screen test.

Swing your partner, dosey-do, now clap your hands... uh-oh, that's all the
square dance moves I know... I'll bluff the rest. Slap your partner in the
face, Write bad checks all over the place, Flirt with strangers, annoy your
spouse, Get a divorce and lose your house, ...uh... dosey-do.
-Scott Adams, writing as Dogbert

Dance is a little insanity that does us all a lot of good.
-Edward Demby

NATURAL LAW: If you dance with a grizzly bear, you had better let him
lead.

You don't stop dancing from growing old, you grow old from stopping to
dance.
-Unknown

Dance, even if you have nowhere to do it but your living room.
-Kurt Vonnegut

Dance as if no one is watching.
Sing as if no one is listening.
Love as if you have never been hurt.
-Unknown

Your love for yourself is only shown when you are dancing freely.
-unknown

If dancing were any easier it would be called football.
anonymous

I see dance being used as communication between body and soul, to
express what is too deep to find for words.
-Ruth St. Denis

If you have to ask what swing is, you'll never know
-Louis Armstrong

When two people are together,
and my pulse and your pulse are together,
then we're swinging
-Duke Ellington

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natalie Roy (Hepnat) on Tuesday, September 12, 2000 - 01:55 pm: Edit

"Dancing is a vertical expression of a horizontal desire" is not unkown. Know your GBS

Top of pagePrevious messageNext messageBottom of pageLink to this message   By CatThyme (Valorie) on Tuesday, September 12, 2000 - 03:33 pm: Edit

George Bernard Shaw?

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Ron (Ron) on Tuesday, September 12, 2000 - 04:05 pm: Edit

Great big squirrel?

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natalie Roy (Hepnat) on Wednesday, September 13, 2000 - 03:04 pm: Edit

Ron, I didn't know you had a rodent fetish. Valorie has been reading her Irish authors like a good girl.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Thursday, September 14, 2000 - 01:52 am: Edit

I give up. Even looked up Barlett's. Where or when is Shaw attributed that quote?

If not Shaw, I'd guess Oscar Wilde for the tone of flippancy.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natalie Roy (Hepnat) on Friday, September 15, 2000 - 01:58 pm: Edit

http://www.jacksonvilleswingclub.org/dancquot.html
about halfway down the page. Maybe not the world's most authoritative source, I give you that, but I've seen and heard it attributed to him before also.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Sunday, January 07, 2001 - 10:03 am: Edit

Just heard on NPR this Sunday morning: The Harlem Globetrotters turn 75 years old this year.

Interestingly, they started out as a crowd-drawer at the Chicago Savoy Ballroom. After they started touring, they changed their names to the Harlem G-Ters so that booking agents in small towns would not be surprised by a black team showing up. Chalk up another institution to Swing!

For a good link on Globetrotter history: http://www.harlemglobetrotters.com/noflash/history.html

Here's a description of their founding year:


Abe Saperstein, age 24, organizes and coaches a new basketball team, "Savoy Big Five," named after famous Chicago's Savoy Ballroom. The ballroom was designed after the New York version with the same name. The Savoy Ballroom was located above a movie theatre at South Park and Kedzie, and featured most of the big bands of the day. Back then, business fell off and the owners of the Savoy decided to schedule basketball games in order to lure people to the Savoy for dancing after the game. The Savoy agreed to sponsor Saperstein's team and thus the "Savoy Big Five" was born. Basketball did not do much for the business at the Savoy, and the idea was eventually dropped. As the team disbanded, several members agreed to join Saperstein's newly proposed touring team. "Savoy Big Five" consisted of Tommy Brookings, William Grant, Inman Jackson, Lester Johnson, Joe Lillard, Randolph Ramsey, Walter Wright, and William Watson. Jackson, Johnson, and Wright formed the nucleus of the first Globetrotters team.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Monday, January 29, 2001 - 11:33 pm: Edit

OK, maybe this isn't literature or history, but I still thought it very funny:

http://www.windyhop.org/ubb/ubb2/Forum10/HTML/001712.html

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Saturday, April 28, 2001 - 11:52 am: Edit

This was posted on windyhop, it's originally from The Catcher in The Rye




I let it drop. It was over her head, anyway. “Do you feel like jitterbugging a little bit, if they play a fast one? Not corny jitterbug, not jump or anything—just nice and easy. Everybody’ll all sit down when they play a fast one, except the old guys and the fat guys, and we’ll have plenty of room. Okay?”



I apologized like a madman, because the band was starting a fast one. She started jitterbugging with me – but just very nice and easy, not corny. She was really good. All you had to do was touch her. And when she turned around, her pretty little butt twitched so nice and all. She knocked me out. I mean it. I was about half in love with her by the time we sat down. That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in love with them, and then you never know WHERE the hell you are. Jesus Christ. They can drive you crazy. They really can.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Maya (Emeraldcat) on Monday, April 30, 2001 - 06:15 pm: Edit

Ah the power of being a woman....

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Spawn of Satan (Melbamoose) on Monday, April 30, 2001 - 09:24 pm: Edit

I love that book!

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Jeff Eldridge (Jeff) on Monday, April 30, 2001 - 11:56 pm: Edit

Ah, the joy of being a man...

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Gabe (Gabe) on Wednesday, May 02, 2001 - 10:50 am: Edit

Hey Michael, here's a great book I just finished reading chronicling swing in Europe during the reign of the Nazis.

Incredible how the Nazis were unable to supress jazz in Europe, but the communists were successful, which helped their effort to enforce conformity. Lots of funny stories of eccentric musicians who ran underground clubs during the war, but also sad tales of non-conformists who died because they played, listened or danced to jazz music.

"Swing Under the Nazis: Jazz as a Metaphor for Freedom," by Mike Zwerin. Zwerin, the longtime music critic of the International Herald Tribune, takes a look at one of the more unusual periods in jazz history, and comes up with a fascinating glimpse of those who played--including the Jewish group the Ghetto Swingers--and listened to jazz during the Hitler era.

http://www.amazon.com/exec/obidos/ASIN/0815410751/qid=988825314/sr=1-1/ref=sc_b_2/102-8229125-9562544

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Wednesday, May 02, 2001 - 12:47 pm: Edit

Thanks, Gabe!

Any other literary references out there?

-Hop "Ex Libris" Michael

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Jane Hance (Janeh) on Wednesday, May 02, 2001 - 05:23 pm: Edit

Hey, how come Gabe's post spreads way out across my screen? I've got to keep scrolling back and forth to read it. Is it because of that really long address?

just curious
Jane

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Penny Vongdara (Penny) on Wednesday, May 02, 2001 - 08:34 pm: Edit

michael, per our conversation & your request, actually, recommendation, re: cakewalk, please check out the following. for many obvious reasons, no, i am not an expert and will not subject myself to pretend as one by plastering my entire forever-will-remain-under-construction project all over the forum, but i am listing you several sites and books i discovered and recommended to me by music professors, dance instructors and fellow classmates that might answer some of your questions about the origin & development of this particular dance and possibly other dances that might have bore influence on lindy hop and the various dance styles that were invented, tested, rejected, accepted and refined in the savoy ballroom & murray's, lindberg's and manning's studios- my search doesn't stop at those places & hope yours don't either, enjoy....btw, no, i was not poking fun at the other thread by rambling about cakewalk in my posting.

websites:
http://www.colleenmurray.com/latin/html
http://www.jazzart.org/jdh/history.rootsthea.html
http://www.swingcraze.com/ussds/lindyhop/lindythesis/lindy-thesis88-all.html#origins
http://www.crosswinds.net/~vintagedance/cakewalk.html
http://www.streetswing.com/histmain/z3cake1.htm
http://www.robotwisdom.com/jorn/jazz.html
http://www.osds.freeserve.co.uk/aboutlh.htm
http://www.folkfire.org/v5n5.htm
http://www.ragtimemusic.com/mainpage.html#top of page
http://www.memory.loc.gov/ammem/dihtml/diessay7.html
http://saw.terrashare.com/bband/ragtime.html
http://www.jazzhistory.f2s.com/history/rag.html

Books on Ragtime Dances:
Gottschild, Brenda Dixon. "Cakewalk." In International Encyclopedia of Dance. New York 1998.

McDonagh, Don. "Social Dance: Twentieth-Century Social Dance before 1960." In International Encyclopedia of Dance. New York 1998.

Emery, Lynne Fauley. Black Dance in the United States from 1619 to 1970. Palo Alto, California, 1972. Rev. ed. Princeton, 1988.

Hazzard-Gordon, Katrina. Jookin': The Rise of Social Dance Formations in African-American Culture. Philadelphia, 1990.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Thursday, May 03, 2001 - 01:07 am: Edit

Whoa! Seems like we have a thesis on our hands, Penny. Lots of groundwork here to cover. Thanks for the links!

-Hop "Ibid ain't op cit" Michael

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Jane Hance (Janeh) on Thursday, May 03, 2001 - 09:21 am: Edit

Whoa, now Penny's post is doing it, too.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Gabe (Gabe) on Thursday, May 03, 2001 - 10:31 am: Edit

"... tested, rejected ... Lindberg's .. (dance)studio" ???

Somehow, I thought the only stuff tested/rejected by Lindberg, had to deal with aeronautical science. Maybe Mr. Lindberg just wanted to cross the Atlantic to go dancing?

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Penny Vongdara (Penny) on Thursday, May 03, 2001 - 01:48 pm: Edit

uuh, gabe, i was actually expecting for michael to come back w/ something in that nature. michael, you're quite welcome. i'm very happy you're interested! so uh, when is the first music appreciation/listening session? gotta intercept those breaks!

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Penny Vongdara (Penny) on Thursday, May 03, 2001 - 01:55 pm: Edit

btw, a couple of the links don't work the last time i checked, don't know why, sorry.....

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Thursday, May 03, 2001 - 10:17 pm: Edit

There's something funny about someone trying to correct another's error but ending up with an error himself.

:)

Just no Limburger cheese, please,
"Charles Lindbergh" HopMichael

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Penny Vongdara (Penny) on Friday, May 04, 2001 - 05:10 pm: Edit

again, =( sorry for not deleting "lindberg's" after having substituted "contributions" w/ "studios"...so guys, it's obvious we can't debate on this and free from further digging at the moment. however gabe, i think i will dig your book, muchos gracias.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Monday, June 18, 2001 - 10:16 pm: Edit

Found this on Balboafeet.com

\image {Swingout}

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Monday, June 18, 2001 - 10:22 pm: Edit

swingout

ack! can't figure out image transfer protocol...

Help, Shawn?

Hop "Techno-challenged" Michael

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Monday, June 18, 2001 - 10:32 pm: Edit

hmmm...on second thought, it worked!

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Shawn (Adminorama) on Tuesday, June 19, 2001 - 07:57 pm: Edit

That's a great one Michael. Thanks for scouring the web for us.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natissimo (Hepnat) on Wednesday, June 20, 2001 - 09:50 am: Edit

There seem to be three 5's.

Confused, Nat

Top of pagePrevious messageNext messageBottom of pageLink to this message   By HopMichael (Mhwang) on Thursday, June 21, 2001 - 03:13 pm: Edit

Must be the micro-triple steps

Either that or this was for the 3-legged dancer version =)

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Jane Hance (Janeh) on Friday, June 22, 2001 - 09:05 am: Edit

I've danced with a few guys who I'm sure learned their swingout from that chart!

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natissimo (Hepnat) on Friday, June 22, 2001 - 10:14 am: Edit

Hey, has anyone got a large plotter at work? It would be fun to print it out and take it along to one of the venues and try it out. Maybe we could get it laminated and put it on the boardwalk at LbtB and get members of the public to try it out.

Nat

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Andy (Hitman) on Friday, June 22, 2001 - 01:29 pm: Edit

oh baby, do we have large plotters. I've got one right across the aisle. We design and make them (sort of) in the next building over. Unless someone beats me to it, i'll try one next week. Can't help ya on the lamination part... anyone care to inquire? I think Kinko's does it.

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Natissimo (Hepnat) on Friday, June 22, 2001 - 02:47 pm: Edit

Once I know the paper dimensions I'll get a quote from Kinko's (that'e where we get our stuff done) if people think it would be a fun thing to have hanging around.

Nat

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Ron (Ron) on Friday, June 22, 2001 - 05:14 pm: Edit

you lindy nerds!

Top of pagePrevious messageNext messageBottom of pageLink to this message   By Gabe (Gabe) on Monday, June 25, 2001 - 12:59 pm: Edit

Talking about Literary Swing, here's some old lyrics from some popular dance tunes from the 30's.

"Doug the jitterbug,
Just a silly lug,
Young and wild with lots of style,
That's Doug the jitterbug!
...
They threw him out of school
'Cause all he learned was Tiger Rag,
He never knew the golden rule,
But boy, how he can shag!
...
Doug the jitterbug,
Cuts a wicked rug,
..."
(Louis Jordan, "Doug the Jitterbug", '39)

"... This piggie likes roast beef, but this piggy likes to lindy all the way home... and the Booglie Wooglie Piggy boogies all the way home" (Will Bradley, "Booglie Wooglie Piggy")

"If I could lindy like Melindy when she lindy hops,
She makes all cats in the ballroom stop;
Hmmm, just look at that style and grace,
How that gal keeps up that pace!

Now, if I could lindy like Melindy when she lindy hops,
She won't even stop if you call the cops!
Just look at the twinkle in her eye!
Ahh, how that dress quivers around her thigh!

Now, if I could lindy like Melindy when she lindy hops,
Makes all cats in the ballroom stop;
Look at him throw her out and bring her in!
Now, the way them cats dance is a sin!"
(Lil Hardin Armstrong , "Lindy Hop", '37)

"Posin'!
Oh, posin'!

Dee-dee, fall-e-oh!
There's a dance you ought to do,
Let me introduce to you,
Posin'!
Everybody pose!

Get a partner, then begin,
Hold whatever pose you're in,
Posin'!
Everybody pose!

It's a dance that you can dance with your girl or wife;
Find a pose, then stop; position's everything in life!
You'll find there's no telling when
Dance will stop and start again,
Posin'!
Everybody pose!

Frozen, posin', on-j'mosin'!
Lozin', tosin', ten cents-a-dozin',
Whatta ya mean? Whatta-ya mean I'm speedin'?
I'm just gettin' ready to cut out!
Exactly bop-de-bop-de-body-doh!
Dance will start, stop again,
I'm liable to cut out, and start again!

Now you see, those cats are posin'!
Yeah! Now you see, I'm posin'!"
(Jimmie Lunceford, "Poisin", '37)

"Come on, get set for the party,
Tomorrow night at the Swing Cats' Hall,
Come on, let them send your body
At the Swing Cats' Ball.
...
Some will shag while others drag,
Some will bump while others jump.

Park Avenue will do their swinging,
Tomorrow night at the Swing Cats' Hall,
You can't refuse to join in swinging
At the Swing Cats' Ball.
(Russell Campbell,"At the Swing Cats' Ball", '39)

"...Forgive me, miss,
I must insist
You can't resist,
If you feel like this!

'Cause I can't dance,
I got ants in my pants,
Now, I can't dance,
Got ants in my pants!..."
)Charlie Gaines, "I Can't Dance, I Got Ants in My Pants", '34)


"Born to dance? No!
Born to prance? No!
Born to sing? No!
Well, you must be born to swing! Yeah!
I'm just an ordinary gal, that was born to swing!
[Scats]

Now all the gals on Park Avenue have a high-brow song to sing,
But I'll stay here on Lennox Avenue, where I was born to swing.
Now, some folks got plenty money, some folks got philosophy,
But I've got good old swing, and it's good enough for me!
So with a song on my lips, and rhythm in my hips,
I can't go wrong, having my fling,
'Cause I was born to swing!..."
(Lil Hardin Armstrong, "Born to Swing", '37)

"Now, come gather 'round us, folks,
Let us tell you 'bout this swing,
Let us tell you 'bout the dance was invented just for you!

Now, you swing over here,
Now, you swing over there,
For you swing on out and you do the Suzie-Q!

Oh, you dance in!
Yes, you're prancin'!
When you hear the music play, that's your cue!

Yes, you're truckin'!
Doin' the shim-sham,
Then you swing on out and you're doin' the Suzie-Q!

Now, stop unless you do forget,
You ain't seen nothin' yet,
Until you see this dance that's new!

Now, you truck over here, you swing over there,
You tip just like you're walkin' on air,
Then you're doin' the Suzie-Q!

Now, hot step new that you will give 'em,
Good old pep and low-down rhythm!

Now, come and give yourself a treat,
Watch these babies shake their feet,
What they're doin'? They're doin' the Suzie-Q!"
(Lil Hardin Armstrong, "Doin the Suzie-Q", '36)


"I work at the Palace Ballroom,
But gee, that palace is cheap,
When I get back to my chilly hallroom,
I'm much too tired to sleep.

I'm one of those lady teachers,
A beautiful hostess, you know,
The kind the Palace features
At exactly a dime a throw.

Ten cents a dance, that's what they pay me,
Gosh, how they weigh me down;
Ten cents a dance, pansies and rough guys,
Tough guys who tear my gown.
...
Sometimes I think I've found my hero,
But it's a queer romance;
All that you need is a ticket;
Come on, big boy, ten cents a dance.

Fighters and sailors and bowlegged tailors
Can pay for a ticket and rent me;
Butchers and barbers and rats from the harbor
Are sweethearts my good luck has sent me.
...
Ten cents a dance, that's what they pay me,
Gosh, how they weigh me down;
Ten cents a dance, pansies and rough guys,
Tough guys who tear my gown.
...
Sometimes I think I've found my hero,
But it's a queer romance;
All that you need is a ticket;
Come on, big boy, ten cents a dance.
(Richard Rodgers, "Ten cents a dance", '30)


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