Section 5 of 5 · runs ≈142 down to ≈105 BPM
What the first months actually involve.
● every piece in this section, placed at the tempo it lives at — hit a dot to jump

Both roles as active technical work: proposal and interpretation, tone in the connection, and the myth that one role is passive.

What actually changes in the first six weeks — pulse, weight transfer, frame — and what does not change no matter how many classes are taken. Sets honest expectations without promising a timeline.

Behind the step patterns: rhythm, connection and floorcraft are the actual syllabus, and the patterns are the delivery mechanism. Why this is rarely said out loud.

Solo work that transfers — pulse, footwork, turns, weight changes — and the parts of the dance that genuinely cannot be practised alone.