Section 3 of 5 · runs ≈180 down to ≈110 BPM
The social floor as a working system — surface, traffic, etiquette.
● every piece in this section, placed at the tempo it lives at — hit a dot to jump

Traffic on a crowded floor as a solvable problem: sightlines, slot discipline, the cost of a big move in a small space, and whose responsibility a collision is.

Ceiling height, floor area, where the band sits and how loud the room is — how the physical space quietly selects which dance works in it.

The construction of a sprung floor, what it does to joints over four hours of dancing, and how dancers can feel the difference between maple on battens and a slab with vinyl over it.

Suede versus leather soles, why grip is the enemy of a pivot, heel height as a balance decision, and the case against dancing in trainers on a wooden floor.

Asking, declining, the length of a dance, hygiene, and the difference between a social floor and a performance. Written as mechanics rather than as a code of manners.